Respuesta :

Match each excerpt to the novel element its focuses on.
Jerry's name was Gerald, and not Jeremiah,
whatever you may think; and Jimmy's name
was James; and Kathleen was never called
by her name at all, but Cathy, or Catty,
or Cat.
And, sure enough, over the top of the forest,
where it ran down in a tongue among the
meadows, and ended in a pair of goodly
green elms, about a bowshot from the field
where they were standing, a flight of birds
was skimming to and fro, in evident disorder.

The wide High Street, even at the busy
morning hour almost as quiet as a
dream-street, lay bathed in sunshine.

It was a poky little shop, and the man was
arranging furniture outside on the pavement
very cunningly, so that the more broken
parts should show as little as possible.

Two persons were within; the first he readily
knew to be Dame Hatch; the second, a tall
and beautiful and grave young lady, in a
long, embroidered dress—could that be
Joanna Sedley?

options setting or character

Character:

  • Jerry's name was Gerald, and not Jeremiah, whatever you may think; and Jimmy's name was James; and Kathleen was never called by her name at all, but Cathy, or Catty... (E. Nesbit, The Enchanted Castle)
  • Two persons were within; the first he readily knew to be Dame Hatch; the second, a tall and beautiful and grave young lady, in a long, embroidered dress—could that be Joanna Sedley? (Robert Louis Stevenson, The Black Arrow)

Setting:

  • The wide High Street, even at the busy morning hour almost as quiet as a dream-street, lay bathed in sunshine. (E. Nesbit, The Enchanted Castle)
  • And, sure enough, over the top of the forest, where it ran down in a tongue among the meadows, and ended in a pair of goodly green elms, about a bowshot from the field where they were standing, a flight of birds was skimming to and fro, in evident disorder. (Robert Louis Stevenson, The Black Arrow)
  • It was a poky little shop, and the man was arranging furniture outside on the pavement very cunningly, so that the more broken parts should show as little as possible. (E. Nesbit, The Phoenix and the Carpet)
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