Archaeologists choose any picture or sculpture of a human figure and speculate how it is represented and relate it to the culture or lifeforms of that period. With the minute observation of the precision and the complexities of the work done a fair idea is deduced of the tools and equipment used which can also be related to then culture and rituals.
Early bronze age inhabitants of the Cycladic islands utilised white marble to carve human sculptures. The human forms, which were usually discovered in tombs, were represented by the sculptors in smooth, abstracted fashion. The majority of the figures are of women without clothe who all follow a particular norm. The figures had symmetrical shapes and their arms were tucked behind their breasts. Faces lack features other than a prominent nose.
The sculptors observed a design where three equal circles dictated the shape of the figures, and joints are depicted by incised lines. The painted themes that were used to colour the marble figurines may have had something to do with preparing bodies for burial. These human sculptures may have been connected to their owners through Cycladic rites around significant life events like puberty, marriage, and death.
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