It symbolizes eternal life in paradise. The Sarcophagus of Constantina is in an indistinguishable room from a moment porphyry work that once housed the assemblage of Constantina, little girl of Constantine the Great, which was once in her sepulcher on Via Nomentana, which turned into the congregation of Santa Costanza in 1254, and later to this exhibition hall. The adornment is a semi-agnostic delineation of cupids in the Dionysiac gathering of bananas to make wine; it has been deciphered as an early Christian reference to the Eucharist.
