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Which excerpt represents the call-and-response format derived from jazz music?

A. Deferred
by Langston Hughes (excerpt)

Maybe now I can have that white enamel stove
I dreamed about when we first fell in love
eighteen years ago.
But you know,
rooming and everything
then kids,
cold-water flat and all that.
But now my daughter’s married
And my boy's most grown--
quit school to work--
and where we're moving
there ain't no stove--
Maybe I can buy that white enamel stove!

B. Island
by Langston Hughes (excerpt)

Black and white,
Gold and brown--
Chocolate-custard
Pie of a town.

Dream within a dream,
Our dream deferred.

Good morning, daddy!

Ain't you heard?

C. Harlem
by Langston Huges (excerpt)

Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?

Respuesta :

asherhenry5

Answer:

it is deferred

Explanation:

i got it right

ProfChris1

The excerpt that actually represents the call-and-response format derived from jazz music is:

A. Deferred

by Langston Hughes (excerpt).

Call-and-Response

Call-and-response is known to be a form of music that states a melody in a phrase and then the idea stated is completed by a second phrase.

In this format, the second phrase is usually heard as a direct comment or response to the first.

Learn more about jazz music on https://brainly.com/question/2736475

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